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| Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
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Romy wrote :"...do not forget that if you made the dramatic-enough angling then in order to preserve methodological purity of experiment you need to attenuate slightly the angled horn and it will most likely output more dBs to a listener located on a...
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[quote user="jessie.dazzle"]7) Location of power amps : Yes, the power amps sit within the frame, on their own sliding support between the Upper-Bass and Upper-Mid horns. For the moment I am using a pair of ML2s from 60Hz and above. (below 60Hz I use...
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The Delta Pro-8B looks like a very fine driver, in fact on the paper it is even better then Fane (with exception of sensitivity and inductance) The problem is that no one knows how this driver will sound until it is loaded into a specific horn, no o...
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I still remember proposed solution for symetrical TAD 1201 horn loaded midbass sections. Was it to free listener from sweet spot low seat position ? I could imagine that that midbass horn performing up to 1000Hz sitting low on the floor would impair&...
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Checking if you playback can discriminate absolute polarity is very simple and very effective way to find out if you acoustic system is not fundamentally faulty. Flip the polarity and monitor the result. If you did not experience dramatic changes at ...
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I think 8-8-1 will be very good configuration all together.
Make sure it stays sufficiently far from back wall. Point the axis toward to your shoulder and I think it would
be fine setting. Turn off tweeters and Fundamentals channel and set right
b...
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I have been enjoying the "Euroclassic Notturno" (BBC?) program on swedish radio tonight. As a happy rookie in the world of classical music, I seek advice on Tchaikovsky based on what I just heard; His Symphony No. 5.I thought: "Horrible waltz mi...
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LOTs of time pretty much wasted lately, looking at "HE" direct-radiator drivers that are actually only HE at their uppermost frequencies, with diving responses and large-to-huge power "ratings" that allow the "pros" to simply turn up the heat to...
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Yep, indeed, it looks very nice. The 8 sections of bass line
array look visually slightly overweening but I think when you put the upper
bass horns in place it will visually balance the things out. I feel some sort
of envy to the way how you plan ...
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My minimal distance between front of the upper bass horn and listening position is irrelevant as I set the proximity not according the upperbass but according a vertical shifting of HF image. Under a normal circumstances I might be as liitle as ~7.5”...
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Gera, I have lived with similar for years, turned this problem all around many times. While something like 15" Tesla AROs should work well up to 250 Hz, I think you will have to get very clever to get more than flatulence or thumping below 40 Hz fr...
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[quote user="Romy the Cat"]The Tax’s shoes bring a few very interesting points. The Cat[/quote]Tax's COGNITIVE ORDER OF SUCCESSION has continued in silence in a land downunder.Today after a period of more than two years Tax returns to this forum hav...
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[quote user="Jorge"] I dont expect any big changes on my system with them, but i want to be surprised![/quote] If you have a good 10’ driver then going with the same horn to 4” and 8” Fane will give you some advantage. You will pick up some EQ at low...
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[quote user="Jorge"] Once you have an Upper Bass Horn working properly with a good driver inside it, and getting at least 6 db extra output out of the loading (I just wrote about 2 pages of technical difficulties on this but let’s just stick to the s...
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This subject of digital crossovers became quite popular during last few years and many audio-people give up and go for a simplicity and painlessness of digital crossovering. There is an army of people out there who would swear by a complete transpare...
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Here are some photos of Martin Sedon's 204Hz and 340Hz Le Cleac'h horns, which likely have more reasonable shipping charges and fit through doorways, etc. better than the 160Hz version. They have a T-factor (expansion rate) of T = 0.8, which was reco...
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[quote user="Kiom"]great project ! do you have a idea when it will be ready ?[/quote]Hello Kiom,I imagine getting the frames done and all but the 45Hz horns in place by September. Because of the mass involved, the Upper-Bass horns take FOR...
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Jessie, there is another solution that you might consider, that might be viewed as compromise for one-side as might not be view is compromised from other side. If to allowed ourselves to close eyes to midbass timing-integration and if the geography o...
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Hi Romy,
Well firstly on those, the tweeter is not offset to one side - it appears to be time aligned directly behind the midrange horn and upper bass unit. Secondly, that's a JBL 2405....
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I have long wondered why it seems that hi-fi systems always fail to deliver realistic "weight", certainly with orchestral music, no matter how they "measure". A "flat" chart is a virtual guarantee of sound that ultimately lacks "...
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Herman, I am glad that you feel better about sound from your midbass horns. I do not know what damage digital amps incur but even your experience of hating the sound of those horns to falling in love with them just after changing the amp do suggests ...
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[quote user="Jorge"]Andrew,Dont buy all the drivers at once, I would get only the upper bass horn drivers and maybe the mid drivers, you will have to play around with these for a while before things start clicking toghether, by then who knows, ma...
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I'd like to point out that Fostex 500 MKII is very much not sharp and artificial sounding. If anything it's an opposite -little too syrupy , soft and round so it blends with cone mid better than beryllium tweeter. I have no first hand experience with...
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How did you determine that it is the horn. What makes you think that you can damp a horns mouth at 200 Hz. Have you never read what a room does to frequencies under 400 Hz? If not, check this site out: http://amroc.andymel.euMaxx, I think that you ar...
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I had this same experience listening to B&W 801 matrix speakers recently. These were very dynamic, more so than most speakers, and this stood out above all else. But these were not pleasant to listen to. I wanted to leave the room.These were made...
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We now call those modeling lamps in our big stobes. I think that the analogy is even better considering your intentions.I personally feel strongly that high sensitivity is the correct path and that small ported woofers in a MTM box will fall short of...
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[quote user="jessie.dazzle"]Do I understand correctly: AG used Fane 8Ms in the Trios upper bass horn?[/quote] Oh, no! AG in Trio’s upperbass horn used similar 8” driver with 103 sensitivity. That driver was bad and it made me to look for a replacemen...
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Ming, did you consider to hang your upper bass horn that screws everything up at the very top of the room and then nicely position the MF channels according to the rules of time alignment instead of the rules of warehouse storage? You might also cons...
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Can I have some opinions on a potential mid-bass driver for my Altec 515s, as pictured in the attachement? What are the obvious or potential problems I should address?see attached photo: 120 Hz - @800 Hz.For the Altec 515 such a horn should be ...
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Thanks for the thoughts on driver impedence.
Romy le Cat wrote :
"... I discovered Fane 8M in 2000 when it replaced the AG Trios upper bass driver and at that time I used Lamm 2.0 to drive all my upper channels..."
Do I understand correctly ...
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